RED EPIC Grading Workflow
Taught by Mike Seymour
- Course Number:
- Software Version:
- Original Run Date:
- October 2011
- 6 hours 11 minutes
fxphd has had an EPIC M since March 2011 and then one of the first EPIC X (#22) as well as one of the first field EPIC Canon mounts.
We will have a series of micro shoots so we can examine a really wide range of material from macro food shots to luxury cars, from Primates to exotic night fire shoots. Material will be made available as .r3ds for you to download and explore.
Class 1An unconventional use of the HDRx feature of the Epic and grading Epic stills in Lightroom.
Class 2Grading with the feature rich and yet free RedcineX Pro.
Class 3Advanced color logic.
Class 4A look at grading Epic footage in Assimilate Scratch 6 on Mac.
Class 5Working with HDRx materials in Nuke, Scratch, and Resolve, looking at Luma keys, simple blends and Add compositing mode.
Class 6Dealing with noise and grain in Epic footage and a look at the differences in image quality with/without the Red Rocket.
Class 7Mike looks at the various permutations when shooting daylight vs tungsten on blue screen vs green screen with the Epic.
Class 8Mike shows the power of Mistika for RED and stereo projects. Its use of optical flow and GPU makes it the perfect tool on a lot of the large stereo projects currently in production and a product to keep an eye on.
Class 9Mike talks about his workflow of dealing with noise and HDRx in Flame.
Class 10A look at the Adobe Epic workflow, including Lightroom beta 4 and Johnmont's tips and tricks in Premiere Pro/After Effects.