New course: High End Chroma Keying in Flame Part 2
This, the second part of a course taught by 2017 Flame Award winner Mihran Stepanyan, covers keying Alexa and RED footage, utilizing the Modular Keyer and Action's 3D compositing environment.
production blog
New course: High End Chroma Keying in Flame, Part 1
Our newest course, taught by 2017 Flame Award winner Mihran Stepanyan, is devoted to high-end chroma keying -- both theory and practice.
FMX 2019: Stuttgart Travel Tips
Once again, we’re looking forward to FMX in Stuttgart. Here are a few tips for your visit to the conference.
New course: Compositing in After Effects: Eagle Flight Project
Our new After Effects course, taught by Kirill Pleshakov, focuses on the compositing of a bird filmed on green screen into an aerial shot.
Golaem, SideFX, Massive, and Basefount receive Technology And Engineering Emmy® Award
Congratulations to our friends who received a 2018 Technical / Engineering Achievement Award at NAB this week.
New course: After Effects VFX Bootcamp
This new production level VFX course, taught by Jonathan Alenskas, shares practical knowledge and experience to prepare you to be able to work on and deliver VFX shots using Adibe After Effects.
New course: Advanced VEX & Python for Houdini TDs
Our new course, taught by Jeronimo Maggi, builds on the fundamentals taught in Introduction to Houdini VEX & Python. We start from scratch and slowly add features as the need comes along, learning how to debug and test our code.
New course: Look Development with V-Ray Next
Our new course, taught by Amid Rajabi, covers the look development process for a realistic car using V-Ray Next for Maya, the latest version of V-Ray from the Chaos Group.
New course: Introduction to Houdini VEX and Python
Our new course, taught by Jeronimo Maggi, covers the basics of VEX, Houdini's expression language, as well as how to use Houdini's Python API.
New course: Closeup Photoreal Environments Using RenderMan
Our new course, taught by Liam Whitehouse, covers how to create closeup photoreal 3D environments from start to finish. A key aim is to ensure that the end result holds up at resolutions up to 8K for next generation HDR VFX projects.