We'll look at what it means to be a Visual Effects Supervisor. What are the pressures, the roles and how do you manage a large Hollywood film?
To find out, we engage in lengthy discussions with the world's best supervisors including John Knoll, Scott Squires, John Dykstra, Pablo Helman, Dennis Murren, Mike Fink, Ken Ralston, Kim Libreri and others. These are some of the finest visual effects specialists in the industry with a stunning 5 technical or special Oscars, 24 Oscar nominations and 14 Academy Award wins between them. This truly one of the most accomplished group of visual effects experts ever assembled.
VFX Supervisors
Watch our overview of the course
Class Listing
Class 1: How to break down a script and pick approaches, Pa
How to break down a script and pick approaches, Part 1.
Class 2: How to break down a script and pick approaches, Pa
How to break down a script and pick approaches, Part 2.
Class 3: A look at pre-viz and storyboarding
A look at pre-viz and storyboarding.
Class 4: On set issues with choices to be made
On set issues with choices to be made.
Class 5: Working with both the Director and other crew
Working with both the Director and other crew.
Class 6: Selling the shot and managing the team, Part 1
Selling the shot and managing the team, Part 1.
Class 7: Exploring the team; a look at the world of TVC and
Exploring the team; a look at the world of TVC and managing multiple houses.
Class 8: Studio pressures, working well with other houses
Studio pressures, working well with other houses.
Class 9: Pipeline, infrastructure, R&D and the negatives of
Pipeline, infrastructure, R&D and the negatives of being a VFX supervisor.
Class 10: What it takes to become a serious member of the VF
What it takes to become a serious member of the VFX community.